The piece Treatments is an installation consisting of 6 different sounds and 5 photographs.
Photos: Shaped body / Lip pump /Breast /White skin / White face
in-av-på-tryck / impression-s
performance at Galleri konsthögskolan (Umeå, SWE) 2015
Video installation consisting of two silent video works, projected opposite to each other.
video loop, Full HD, silent, 5,35
with Erik Malmsten
Varat, och varan
oil on canvas, 200×160
Hn skulle bära mig
oil on wood 130×130
Större, större störst – mindre, mindre, minst
Oil on canvas, 150×120
vila sig i saliv
the feeling of making art as a new parent
Tankar om kön
In collaboration with Maria Flodmark
Video, 05:45 min, Full HD, Stereo
We’re fighting in a costume. The language breaks us down.
Deforms our bodys, restricting the movements.
We want more. An inordinate that grasps and longs.
Chewing – vomit, chewing – swallowing.
How can I be her? How can I ever be without her?
We shout again; This is a message for all of us,
we can rapidly get help, or help, if needed.
mö nekats staken öm
performance at Umeå konsthögskola, SWE
At the end of my pregnancy I suffered from an extreme sexual frustration. To focus on something else I started to create and write palindromes. I shared my frustration through a performance where I filled a corridor with the palindrome ‘mö nekats staken öm’ (which roughly means ‘maid is denied the tender cock’). Afterwards, I remained in the hallway and offered private talks about sexual frustration.
To be honest
In the performance To be honest I’m using sticky tape to change my body shape.
(video)performance, Full HD, stereo, 12,35 min
Performing the subject
In Performing the subject I’m moving, dancing, behind a temporary wall in a dark room. I’m lit from the side by a red light that creates my shadow on the wall. As viewer you can only see the shadow of me and hear the sound of my movement. The performance took place at the Art Academy in Umeå during open house, it was intended to last for 8 (working) hours, I managed 5 hours and 36 min.
Viewer description: An urge to move my body freely, an energy in the body’s natural movement patterns. I am met by the rhythm and the red light. A bass line in my chest without sound. A shadow without body, which instead becomes my shadow; the shadow of my will? the shadow of my desire? Trying to see it as a body – the desire that lives in my fingers and my chest, rushes down into my stomach and settles as a void somewhere between the solar plexus and ventricle. The desire is to claim, it becomes a physical fight.
First time for me?
In First time for me? I used sticky tape to put myself in poses based on stories about first sexual experiences. The piece consists of 12 photos projected on the wall.
Oil on canvas, 200×150
Female Act second edition
Oil on canvas, series of 6 paintings
Sound piece and performance, 2013, collaboration with Hanna Anbert, Tatiana Novikova and Camilla Lundquist
13 participating artists in the exhibition, ”This place has no mirrors but only your thoughts in the water and they will spread all around with the waves”, was asked to record their own safety sound.
During the performance each artists was carrying around their own sound, which was played from small speakers attached to the body. The performance lasted for 30 minutes, while the artists were moving around in the gallery among the visitors., wearing their own safety sound.
A mix of all 13 sounds was installed in the gallery during the rest of the exhibition as its own sound piece.
”This place has no mirrors but only your thoughts in the water and they will spread all around with the waves” was a result of a longer collaboration between Mudarris Center of Art & Culture in occupied Golan Heights and Umeå Academy of Fine Arts. During two weeks 8 (5) artists from the Golan and eight students from the Umeå academy was working together. Three of the artists was denied visas and were contributing from their place of residence. > project webbpage
charcoal on wood
in collaborations with Johan Österholm
double exposed polaroids
Infinite slow shutter speed
Varför är vi inte i paradiset mormor?
performance/installation, open house, Umeå konsthögskola
I paint a Dalecarlian paintings (Kurbits), an old classical painting style of Dalarna in Sweden with proverb texts. It is a performance dedicated to an older generation of women with unenforceable dreams of something other than their housewife roles. My grandmother was one of them, she had a dream of becoming an artist.The text on my window painting says ‘Why are we not in paradise grandmother?’ with her hand-writing.
PIZZA TREE – The forbidden fruit
installation, Frozen pizzaz in an apple tree garden in Uppsala
paper pulp, glue and water, chalk, concrete, body
plaster, mosaics, steel
oil on wood
Pieta – en måste bära kroppen vidare på egen hand.
Part I – Welcome for afternoon pussy. / Nyrakat! Välkommen på eftermiddags fitta; I serve cake and cunt pastries while talking about my relation to my biological sex.
Female act, first edition
oil on canvas, series of 9 paintings
From selected famous paintings in art history, I pose in front of the artist; myself.
Ink on paper
ink on rice paper